#take tomorrow off & just write

[lost-in-fandoms]

I have written this. sort of. somehow even mushier than i thought it would be. cw: probably completely inaccurate medieval-esque terms

Daniel sits in the tent with his head bowed, eyes closed, enjoying the temporary peace. He knows he should go find someone to help him get out of his armor, knows he should get cleaned before the feast, knows he should maybe get his shoulder checked out, but his limbs are heavy and the tent is quiet.

It was a good tourney, lots of old rivals and new faces showing up for it, many exciting duels, but Daniel feels like he's getting a little too old for all this. His shoulder, where he had been hit over and over, aches terribly. He can feel the sweat mixed with dirt dry on his skin, a feeling that used to be associated with a good day of work, but that now only feels uncomfortable.

He should get up.

Before he can force himself to do it, the flap of the tent opens, sunlight and voices streaming inside, making him wince. The person holding it up is for a moment just a silhouette gesturing to someone outside, but Daniel doesn't need anything more to recognize them. He would know Max in the dark, with his eyes closed and his hands tied behind his back, just from the way his soul seems to get lighter in his presence.

He should get up, now more than ever. It's against protocol to stay seated in the presence of the King.

He closes his eyes again, doesn't move. The flap closes.

Max is quiet as he walks closer, even the sounds of his clothing seemingly muted, but Daniel doesn't need words to know when it's the moment to open his eyes. He has to look up to meet Max's, who's now standing right in front of him, face unreadable. If he hadn't just won the tournament, Daniel could be tempted to think he was unhappy. As it is, he knows Max is only trying to gauge Daniel's own mood before molding himself to it. As if he wasn't the King, owner of Daniel's whole life.

Max brings up a hand, gently cupping Daniel's cheek and swiping away some dust with his thumb, before moving further back, carefully slipping his fingers through his sweat matted hair.

"You did well today," he finally says. Daniel closes his eyes once more, wishing they weren't in a dusty, too-warm tent, but in Max's (their, really) bed up in the castle, cool linens against their skin, a solid door between them and the world.

"My King," is all he rasps out, voice as dusty as his body. He doesn't need to say anything more, Max bending down to kiss him, careful but solid, with the same unyielding certainty he governs with, unbothered by the dust coating his tongue.

"You should take a bath before dinner," he tells Daniel when he pulls back, still holding the back of his head. Daniel belatedly realizes his hands are still resting on his knees. His thoughts are tired and slow.

"I'll call..." Daniel starts to say, but Max interrupts him.

"I already sent for warm water and sent everyone else away."

When Daniel finally opens his eyes again to look at him, Max is smiling Daniel's favorite smile, the one that's a bit downturned and that makes him look soft and young.

"Let me take care of you."

Daniel should say no, it's not the King's job to help his knight get out of his armor, clean himself in the bath, but right now this isn't the King. This is Max, wanting to love Daniel. And Daniel has given up a long time ago on refusing him.

He nods, and Max gets to work.

They don't talk as Max undoes the leather straps of his besagews, carefully putting them to the side. One of them is bent, and as soon as it's gone, Daniel's pain lessens a little. With each piece of armor Max takes off, Daniel feels himself coming back a little, finding his center again.

He likes tournaments, they're exciting, they're fun, they're an opportunity to see familiar faces that are usually in other kingdoms, to eat and drink and get out of more boring duties. But it feels like every year it's a little harder to get into that persona, the Honey Badger who was almost King. Every year, he feels like he would prefer to just sit in Max's place, on the dais, and let him tourney instead. He knows he misses it, now that it's too dangerous for him to properly compete.

Max is on his knees, getting rid of Daniel's greaves, when the tent's flap opens again, a sliver of sunlight painting Max's hair golden. The page is wise enough to not open it fully and keep his back turned. Just because they're both clothed right now, Max's action would be scandalous enough to get the gossip mill going once again. Not in the palace, nobody bothers with that anymore, not after all these years, but there's enough people coming from other kingdoms around it could become unpleasant.

Daniel watches as Max pushes to his feet. He doesn't let anyone in, accepting the warm water instead, going back and forth twice to the wooden tub in the corner. When he's done, he shoos them away, saying something Daniel doesn't catch.

"Let's get you in before it goes cold," is what he tells Daniel. He makes quicker work of the rest of the armor, piling it all carelessly in a corner, but as soon as Daniel's undergarments come off, he pauses, fingers grazing over what Daniel knows will be a bad bruise on his shoulder.

"Do you need a cold compress?" Daniel shakes his head, even if he probably does. It would be too much work, to go ask for it, and he just wants to be clean.

He wonders, far from the first time, what people would say, if they saw Max like this. Their King, the feared Lion, on his knees, helping Daniel out of his braies, ducking under his arm to guide him to the bath, wetting a rag to clean his face.

It doesn't matter anyway. Nobody gets to see this. This is for Daniel only. This Max, the one who giggles at Daniel's jokes, whose cheeks blush crimson with his kisses, who unravels under his fingers, who gets on his knees again and again, uncaring of his title. This Max has always been Daniel's, even back when they were both just knights, Max as green and bold as they come. Daniel's, even when he got a crown on his head and Daniel got a permanent spot on his right. Daniel's, through the hard years, the summer droughts and long winter nights.

He reaches up as Max washes his hair, grabbing his hand and kissing the ring on his index finger, the twin of the one Daniel wore on a chain.

"Thank you, Max" he says, leaning his head back to be able to look at Max's face.

Max brushes a wet curl off his forehead, eyes soft.

"Always."

[sugarpasteltmnt]

(whispers) hey friends I appreciate your excitement but gentle reminder it’s not very polite to ask fanfic writers when the next chapter is gunna come out

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[necrotic-nephilim]

in lieu of having posted any writing/headcanons/asks in the past few days because i have been *so* busy and unable to do anything fandom-related which is terrible and evil, i have a poll out of morbid curiosity and self-indulgence. i've been meaning to ramble here about how i feel about DC's lack fo Deaf representation and which Batfam members i would personally make Deaf, but i am mildly curious about the larger opinion and now i will subject you all to the question, i would love to hear thoughts/opinions/headcanons on any specific choices. (would love d/Deaf/HoH opinions esp but i'm mostly expecting this to reach the hearing crowd, so opinions from hearing ppl are ones i'm very curious about. if you've never given it thought before you are going to now or else /lh)

[not-poignant]

it's the tenth and i've only written two chapters, i'm in trouble with the burnout again folks x.x

[marlynnofmany]

Writing Advice of the Day: dragons make everything better.

Just in case you were wondering.

[thatswhatsushesaid]

words can't express how excited i am to see you get into book 4 (aka second? part of volume 6) of tgcf. nothing makes a girl happier than seeing fellow fans suffer.

i am already suffering and i just started vol 6!!! hualian kissed, but now xie lian is in the kiln with white no-face and another flashback arc with the xianle trio just started 😬 xie lian you’re in trouble girl

also i think i know ruoye’s origins now and @lansplaining you were absolutely right, i DO desperately wish i could part myself from that knowledge.

[midnightsnaq]

Accidentally found myself working on two mp100 fics at the same time

[ofmdee]

eheheheeeee i just sent BU pt 30 to kira to read over 👀

[5eraphim]

how are you a femcel if you've had sex before? Also you are very pretty you could get any guy you wanted.

it's aaaaaalll about the mindset my friend 💘🗡️

[necrotic-nephilim]

your Kon post was sooooo good, like yes the core four are queer platonic, however Kon is hypersexual enough to have made out with (or more) everyone in young justice at least once, yes, including the non-corporal Greta don’t ask me how that worked

I love all of these posts!!! how many of these ask game things do you have in your inbox??

thank you so much!! and i ABSOLUTELY agree with you on hypersexual Kon (truly i just adore characters with grooming/rape trauma like Kon coping through the lense of hypersexuality) and even if YJ is queerplatonic, Kon has made his way through most of them. including Greta. he's creative he'd find a way. probably involving TTK. bc TTK in sex is a thought i have daily. endless potential for using it to basically turn someone's body into a living fleshlight he can manipulate from the inside out- specifically have a TimKonBart idea in my head about that where Kon coaches Bart through sex, since Bart is a speedster with a bonkers refractory period who struggles to feel satisfied, and Tim is caught between them getting used to get Bart off with Kon using TTK to manipulate Tim's body. fun times. fun ideas.

currently, i have one more ask game ask in my inbox (tho always feel free to send more!) that's BruJay focused. though i *do* also have a couple other asks that are just ideas i pan to use as prompts for full fics. just haven't gotten to those yet bc i'm currently busy with packing to move states so. i have *not* had the time to write i wish i had. i will not reveal too much but one involves JayTim fucking during the Titans Tower incident, another is JayTim with animal traits leading to porn, and then another is Tim/Kon/Jon with incest kink stuff. so! i have many things planned, i just need to settle into my new place, however long that takes.

[onewingedsparrow]

L Change the World you did not have the right to make me cry like that I knew what was coming, should not have been moved BUT YOU WRAPPED UP THAT MOVIE SO WELL

[miodiodavinci]

laying down by a brook with one hand in the water like some kind of tragic prince , , , , , ,

[tennessoui]

i really like your take on padme in mermay au, she is straight up vicious, it somehow suits her better than her canonical persona? i don't know i never saw her as particularly, overly kind in canon, more like someone who definitely cares but is downright manipulative? idk if i'm making sense, long story short, this version of padme scratched an itch in my brain i didn't know i had

i think padme is always fun to write because versions of her can be very complex and when i write her i like to focus on her capacity for anger (in fics where she and anakin are still together when the fic starts) i'm sure that gets a bit tiring to read for people but i just can't see her character just being calm and placid and ok with losing anakin immediately. she seems too fiery in canon, and she seems to love anakin too much to just let him go

and when im writing padmé in canon fics, i want to balance that part of her with her other parts, like her kindness and a sense of justice and empathy ('a more perfect union' padmé for example is all of those things), but i think all those parts are important.

so i've really liked how easy it's been to lean into padmé's viciousness in the mer au!! it's been super fun for me, because one of my favorite parts of writing different aus is playing with how much a character is of a particular trait (ie., how much of a bitch obi-wan is, how much of a brat anakin is, how much of a good jedi is anakin, how much infinite sadness does obi-wan have etc etc) so i've liked dragging padmé's viciousness all the way up to the top of the scale here

she's a mermaid queen who is queen of a vicious and vain society and being queen means different things in this au than it does in star wars canon, a lot of which boils down to never really hearing the word no and maybe being a bit callous and naive because of it. she's also the most mer in the au because anakin was human for 21 years and obi-wan was human for likeee ~15 years (?) but padmé has been mer all her life and would never want to be human - she's fascinated by anakin, but not in the same way obi-wan was by the humans when he first discovered them and i love trying to distinguish that

[words-after-midnight]

Me: *working feverishly on the remaining Act I chapters every spare moment of my day*

The essential dialogue for an entire phone conversation that I'm now seriously considering adding to the end arc because it would flawlessly solve a minor plot issue I've been trying to work out: ✨heyyyy✨ 👀

[face-breaker]

the best thing this hell site ever implemented was post auto saving —